ttpasob.blogg.se

Jim shaw estey organ
Jim shaw estey organ











jim shaw estey organ

9 (1983): 68–88.īrown, Howard Mayer. Notes (and Transposing Notes) on the Transverse Flute in the Early Sixteenth Century. Part 1, 18 (1992): 62–102 Part 2, 20 (1994): 90–110.īrauchli, Bernard. The Clavichord in Christian Friedrich Gottlieb Thon’s Keyboard Manual, Ueber Klavierinstrumente (1817). 2 (1976): 56–68.īrauchli, Bernard. Aspects of Early Keyboard Technique: Hand and Finger Positions, as Seen in Early Treatises and Iconographical Documents. 5–6 (1979–80): 74–143.īowles, Edmund A. On Using the Proper Tympani in the Performance of Baroque Music. 24 (1998): 5–26.īowles, Edmund A. Nineteenth-Century Innovations in the Use and Construction of the Timpani. 3 (1977): 100–21.īowles, Edmund A. Mendelssohn, Schumann, and Ernst Pfundt: A Pivotal Relationship between Two Composers and a Timpanist. 3 (1977): 5–56.īowles, Edmund A. Iconography as a Tool for Examining the Loud Consort in the Fifteenth Century. 25 (1999): 61–94.īowers, Jane. New Light on the Development of the Transverse Flute between about 1650 and about 1770. 28 (2002): 174–210.īoutersee, Jan. The Deutsche Schalmeien of Richard Haka. 4 (1978): 5–42.īorg-Cardona, Anna. The Maltese Friction Drum. 14 (1988): 38–60.īonta, Stephen. From Violone to Violoncello: A Question of Strings? 3 (1977): 64–99.īonta, Stephen. Terminology for the Bass Violin in Seventeenth-Century Italy. 16 (1990): 5–41.īarry, Wilson. The Scaling of Flemish Virginals and Harpsichords.

jim shaw estey organ

11 (1985): 5–13.īarry, Wilson. The Lodewyk Theewes Claviorganum and its Position in the History of Keyboard Instruments. 24 (1998): 81–106.īarry, Wilson. Henri Arnaut de Zwolle’s Clavicordium and the Origin of the Chekker. 23 (1997):94–120.īarnett, Gregory. The Violoncello da Spalla: Shouldering the Cello in the Baroque Era. 1787–1802) and Other French Technical Sources. 32 (2006): 145–166.īarbieri, Patrizio. Musical Instruments and Players in J.-A. 14 (1988): 61–113.īanks, Margaret Downie, see also Downie, Margaret Anne.īarbieri, Patrizio. Giambattista Della Porta’s “Singing” Hydraulis and Other Expressive Devices for the Organ, c. 14 (1988): 5–37.Īdkins, Cecil, and Alis Dickinson. A Trumpet by Any Other Name: Toward an Etymology of the Trumpet Marine. 22 (1996): 42–88.Īdkins, Cecil, and Alis Dickinson. Miniaturization of the Positive Organ, 1570–1750. 25 (1999): 95–132.Īdkins, Cecil. William Milhouse and the English Classical Oboe. 16 (1990): 42–117.Īdkins, Cecil. Proportions and Architectural Motives in the Design of the Eighteenth-Century Oboe. 27 (2001): 5–47.Īdkins, Cecil. Oboes Beyond Compare: The Instruments of Hendrik and Fredrik Richters. Adkins, Cecil. The German Oboe in the Eighteenth Century.













Jim shaw estey organ